Piano recording: jury prep
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I'm now on the 3rd and final op post Nocturne by Chopin in class: Nocturne No. 21 in C Minor, KK IVb/8.
It's a challenge because it's very repetitive, the first half page is almost all I chord alternating with V7. I can't find the climax of the piece--I'm not even sure there is one! It's almost a meditative piece. In this regard, it's just as hard as any of the others, but in a different way.
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I'm now on the 3rd and final op post Nocturne by Chopin in class: Nocturne No. 21 in C Minor, KK IVb/8.
It's a challenge because it's very repetitive, the first half page is almost all I chord alternating with V7. I can't find the climax of the piece--I'm not even sure there is one! It's almost a meditative piece. In this regard, it's just as hard as any of the others, but in a different way.
Thanks for listening everyone!
I'm now on the 3rd and final op post Nocturne by Chopin in class: Nocturne No. 21 in C Minor, KK IVb/8.
Oooh this is such a lovely and compelling piece!
It's a challenge because it's very repetitive, the first half page is almost all I chord alternating with V7. I can't find the climax of the piece--I'm not even sure there is one! It's almost a meditative piece. In this regard, it's just as hard as any of the others, but in a different way.
I can imagine! Chopin is always devilishly hard in any case, but there’s something about this…maybe it’s what you said, the meditativeness, lack of obvious climax…
Have you tried recording yourself and listening to the story you’re telling, or trying to find the story you should be telling, but aren’t?
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Thanks for listening everyone!
I'm now on the 3rd and final op post Nocturne by Chopin in class: Nocturne No. 21 in C Minor, KK IVb/8.
Oooh this is such a lovely and compelling piece!
It's a challenge because it's very repetitive, the first half page is almost all I chord alternating with V7. I can't find the climax of the piece--I'm not even sure there is one! It's almost a meditative piece. In this regard, it's just as hard as any of the others, but in a different way.
I can imagine! Chopin is always devilishly hard in any case, but there’s something about this…maybe it’s what you said, the meditativeness, lack of obvious climax…
Have you tried recording yourself and listening to the story you’re telling, or trying to find the story you should be telling, but aren’t?
Have you tried recording yourself and listening to the story you’re telling, or trying to find the story you should be telling, but aren’t?
Wouldn't you know! Some time after I posted yesterday, I went into the kitchen and was humming the piece. My humming became a bit more vocal and it just gravitated towards wanting to be an operatic tenor singing a serenade! I think that's the germ I need for this piece. An aria! Chopin loved bel canto opera.
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Have you tried recording yourself and listening to the story you’re telling, or trying to find the story you should be telling, but aren’t?
Wouldn't you know! Some time after I posted yesterday, I went into the kitchen and was humming the piece. My humming became a bit more vocal and it just gravitated towards wanting to be an operatic tenor singing a serenade! I think that's the germ I need for this piece. An aria! Chopin loved bel canto opera.
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Very nice SK! I will work on doing some recording soon. I have been working very hard on 3 Chopin pieces myself.
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So my piano jury is this afternoon! I’m a little nervous but also really excited. And excited to be past it!

But obviously there’s a little bit of anxiety there too because I woke up from the funniest anxiety dream this morning.
I had a dream that I went to the testing room, and instead of being in the piano classroom with a Steinway grand as expected, it was rundown house (the kind you’d expect to see as “the old lady’s house” in an anime film with stuff everywhere, hoarder style). There was no grand piano, only a very rickety digital keyboard. I sat down at the piano, and the rule was you had to cover your legs with a big pile of winter blankets. When I did that, I realized there was no pedal, instead, under the keyboard was a small child. Every time you wanted to pedal, you had to tap the child’s head with your foot. Then I realized I didn’t have my sheet music (that’s how you can tell it was a dream, because I always play from my iPad!) so after I ruffled through all these scores for the wrong pieces, my husband said he would go and get it. So he left, and then the lead instructor stood up and said “I’m going to the post office, who has mail?” and that was when I realized there were like ten other teachers in the room. Everyone stood up and started running around collecting all these envelops to be mailed. The lead teacher told me to practice while she was gone, and I started to practice (I was trying to figure out how to pedal without stepping on the child’s head). The keyboard was mushy and horrible, but I thought maybe I could get the hang of it but then I realized that one of the walls of the house was missing and open to the street, and a cement mixer came and started pouring cement in the road, and then there was a big rusted metal frame structure, almost like a water tower but without the basin at the top, which was attached to the cement mixer, so the frame started to topple over as the cement mixer continued to move away from it while pouring cement. I was trying to practice my piece, and watching the metal structure slowly get pulled over, and I realized both my husband and the teacher were not going to be able to get back to the house because the road was now covered in wet cement. So I was stuck there Then I realized I was practicing the wrong piece….
And then I woke up.
I think it’s going to be a good day.



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