In Search of Forgotten Colors
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This is amazing and stunningly beautiful.
Link to video -
Gorgeous. What a lovely video. I love natural dyes, and have make lake pigment watercolors from the plants we have near here. Grand Prismatic Seed company has nice dye plant seeds for sale, I’ve made paint from Hopi Black sunflower, and the double black hollyhock, black knight scabiosa and the coreopsis. I bought some safflower seeds - but I think I got exactly one flower from them! That one is tough, you need a ton of flowers and you have to get the yellow dye off first before you can get the red. Problem with all botanical dyes is lightfastness - some fade more slowly than others, but they all fade. There is a reason we have synthetic colors.
Slightly related - do you ever watch the old videos from Liziqi ? They are so peaceful and beautiful (she took a many year break and her newer ones are not as good)
Link to video
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Utterly fascinating. I couldn't stop watching. Bernard, I see a new endeavor in your future...
@pique I have dabbled in natural dyes, just a little. Goldenrod, Weld, Dandelions. I made a video a few years ago about my experiment with home grown Weld.
Link to video
This fall, I intend to try Goldenrod again. Since I first tried it, mordanting with Alum, I've obtained some different mordants: Chrome and Tin (toxic, of course, I'll be careful).
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Gorgeous. What a lovely video. I love natural dyes, and have make lake pigment watercolors from the plants we have near here. Grand Prismatic Seed company has nice dye plant seeds for sale, I’ve made paint from Hopi Black sunflower, and the double black hollyhock, black knight scabiosa and the coreopsis. I bought some safflower seeds - but I think I got exactly one flower from them! That one is tough, you need a ton of flowers and you have to get the yellow dye off first before you can get the red. Problem with all botanical dyes is lightfastness - some fade more slowly than others, but they all fade. There is a reason we have synthetic colors.
Slightly related - do you ever watch the old videos from Liziqi ? They are so peaceful and beautiful (she took a many year break and her newer ones are not as good)
Link to video
@Jodi That's so exciting, Jodi. I recall viewing some of your blog posts about the inks you were making. So cool! Thanks for mentioning Grand Prismatic, I'll have to look them up.
I love Liziqi's videos, but haven't watched in a long time. Thanks for the reminder, they are so inspirational.
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We have these same traditions here. The Spanish weavers of Chimayo, and native weavers (Dine) have used natural dyes. These days they are much more expensive than chemical dyes, and often less vibrant.
Here is a weaving by Emily Trujillo from Chimayo that uses indigo for the blues, madder root for the peachy color, and chamisa and indigo for the greens.
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Beautiful!
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A video I made about making paint (and ink) from botanical dyes. We have a lot of rabbit brush (chamisa) for a good yellow in the area, but you can also use marigolds and common tansy. Best if watched directly on YouTube.
Link to video -
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We have these same traditions here. The Spanish weavers of Chimayo, and native weavers (Dine) have used natural dyes. These days they are much more expensive than chemical dyes, and often less vibrant.
Here is a weaving by Emily Trujillo from Chimayo that uses indigo for the blues, madder root for the peachy color, and chamisa and indigo for the greens.
@Piano-Dad said in In Search of Forgotten Colors:
These days they are much more expensive than chemical dyes, and often less vibrant.
Beautiful rug! I have a natural dye, hand woven rug from Oaxaca that the woman who taught me to spin/weave/dye sold to me. "...often less vibrant" is an aesthetic sought after by some, especially in textiles.
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A video I made about making paint (and ink) from botanical dyes. We have a lot of rabbit brush (chamisa) for a good yellow in the area, but you can also use marigolds and common tansy. Best if watched directly on YouTube.
Link to video@Jodi Wow! Fascinating video, you explain the process so clearly. It is a more complicated process than what is typical for dyeing fibers. There are many natural dyes that are not light fast on fiber either. Beet root, for example. Luckily, several are quite light fast if proper mordanting is applied.
My neighbor told me about a patch of Tansy in the clearing in the woods above my house. I'm meaning to go get some for experimenting with.
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It makes a really nice color - the Tansy - but I have not put it in the window yet to see how quickly it fades. The best natural substances for longer lasting color are usually the ones used historically by native peoples. Like Cochineal, Indigo and Rabbit brush. (All botanical dyes fade, none are 100% lightfast, some just fade more slowly than others). Lightfastness isn’t quite as big an issue on textiles (that you wear) as it is in artwork. I read somewhere that though turmeric is considered a fugitive dye (fades really quickly) people still use it and just re-dye the piece when it has faded.
